Socrates: think together with me (suggignosko), O best one

// 230δ

συγγίγνωσκέ μοι, ὦ ἄριστε

//

suggignosko, from sun (together) + gignosko (to be aware of, perceive, observe, know, learn, discern, observe, judge, determine, think, know carnally, have sex with), carries a variety of implications, to think with or agree with, also to acknowledge, to confess, to make allowances for, to forgive, etc., similar to Latin conscience; many possible meanings here, intimacy implied —

think together with me
agree with me
share thoughts with me
acknowledge me
learn with me
observe with me
confess to me
share a feeling with me
understand me
recognize me
forgive me
know me
know me together

//

basically a marriage proposal

special delivery

smooth now, that rough magic
periscopic tragic midnight lookout

pale arms out arctic like an exiled
penguin into the nameless city

coping, cold, gauze in a sand storm
laron flicker in the mighty dust

a turning ember, hot
spark-caught, gold-litter

in the spider web
spanning a rattan lamp shade

my one fish, two fish
her peacock greenish-black or blue

the switch, dangling
sarcophagus

so dead; quothe the neon miracle
off-gassing meatlight; or Lalah

pink, with only enough instinct
to kill and never eat, my baby, yes;

deveining ribbons in the snow, scrubbed
scrubbing, awash in the darkroom; or

backstage, up rusty rungs, like icicles; blanket
of rags, pocket of candy-wrapped pills; she goes

like gamelan trancing crickets at the cross
by tilem, smoke of incense over the sawah

//

Phaedrus: (cont.) so to me you seem someone never let out of the city, going neither out and abroad, nor outside the wall

// 230δ

οὕτως ἐκ τοῦ ἄστεος οὔτ᾽ εἰς τὴν ὑπερορίαν ἀποδημεῖς οὔτ᾽ ἔξω τείχους ἔμοιγε δοκεῖς τὸ παράπαν ἐξιέναι

//

three to the face

Phaedrus: (cont.) for artlessly (a-technos), as you say, you have looked like some guided stranger and not of the country

// 230ξ

ἀτεχνῶς γάρ ὃ λέγεις ξεναγουμένῳ τινὶ καὶ οὐκ ἐπιχωρίῳ ἔοικας

//

sea-blew

what left, Miranda, the wind fortuning you
a Calibaning egg of Cali-bans
or Prosper’s abjuring empire of plans
some dummy’s wife who fell under his spell

the queen of Napoli; world’s best ice cream
the rook, the knight, carved pieces curious
with subtle knife she tries the bardic seam
a memory game or seashell serious

before, before, the backward-dark sings where
for worm your daddy needling mercy for
for forward way, the swallows only way
abysm storm and how came you no mother

you won’t know how to make a baby yet
when all you were is got and get without your will
or will withal begotten grow to fill out
full figure for your fateless face, blew-eyed

//

O

Phaedrus: (cont.) appear someone most placeless

// 230ξ

ἀτοπώτατός τις φαίνῃ

//

close-up photo of a begonia female flower stem after the flower petals have fallen and left behind ripening seed pods

ovarian //

Phaedrus: but you, O wondrous one

// 230ξ

σὺ δέ γε, ὦ θαυμάσιε

//

off what now

off-white

make no inquiry
of the angel

at the stop sign
with a streetlight

glazed in the pantone
color of the year
2026

plagued
by the washing
up

of love

//

off-black

what depends
upon

a beautiful
loser

making the green
sour ringlets

moonshine
seedy

at the solemn
curfew

//

🌘

//

dadgum
farm stuff

//

Socrates: by Hera, it is a beautiful resting place

this platanos tree is hugely wide-spreading (amphilaphes) and high (uphelos); and of the chaste tree, the height and the dense shade are entirely beautiful; and as she holds on (echein) to the cusp (akme) of her full bloom, she supplies such a sweet-smelling place; and also the graceful stream is flowing under the platanos tree with exceedingly cool water, by the witness (tekmairomai) of my foot

and by the girls and the statues it seems to be the temple (hieros/hieron) for some kind of Nymphs and of Achelous; and again, if you wish, the good breath (eupnous) of the place, how sufficient (agapeton) and violently pleasurable (sphodros hedu) it is; summery and clear, it responds to the chorus of cicadas; and most subtle (kompsos) of all is the grass, that it has grown (phuein) in gently to the steep slope, sufficient to hold, for one who has laid down their head, altogether beautifully

so it has been the best stranger guide for you, O beloved Phaedrus

// 230β - 230ξ

black earth again

black earth again, dear polyvinyl ground
my sticky firm dense heavy cell; as i ally
orthogonally wooden floorboards by
corners, lines matching lines before i begin

one week today since my last vinyasa
marks doubt, unsteady shakes from atrophy
least progress lost, the war postponed, disowned
like how to trust what grows out from under me

sunlight lemon on the grass, and cedar trees
are spirits in the haze of muscles memory
the distant greys, the vagus nerve, drishti
oh cave of susceptivity; go eyes, under skin

at distance they behold a cunning henge
never a sur disdains from calling out to me
the greening herb grows vivid on the verge
the plantar fascia curl to meet some solid life

in place, half-driven, half-reined, half-spark and half-
holding, i part, expose the seam between
the licking flame and tucking in the hem
of wilderness accounted for, enfolding or

away; my mountains weight of carbon presses light
through floss; down wayfinding impression-meshed
sensation of the sedimentary stone
by layers etching bone, wind, ocean, fire

and fury, glass gash obsidian; if you forget
the trembling earth is always giving birth
at core, the organs fluctuating sphere
the planetary pliable and fevers warmer door

no body no container without change
resistance treasures injury, the palm-press grain
desires engined ecstasy, ankle
of metaphor into the metabolic storm

a molecule descends its tap root; bowl, pelvic
electrifies the spinal flange to polarize
and draw the reins until weather turns self-strange
and tether twists, deranged; the synapse snaps

the white orbs of a nightmares rolling eyes
charred thunder muscled under the stringent seat
and faith is endless as pure body knows
who bites and remakes wretch into the mouthful

full dark full rain full speed full poetry
eleven if, and, in charges difference of the same
an arrow born mid-air is garden, regained
the static swallowed appetite of living hell

the globe interns red-ratioed rectangle
by burning every name is regrown mane
true mother, riding form as i hair-string the bow
whose shrieking womb my practice bends to tame

to time; the shadow letting tide, what, die-cut
by horizontal held; my cradle hard
harped infant of vacationing; and tempest swept
as sea refills the valley with somnambulent sanity

//

Socrates: so it has been the best stranger guide for you, O beloved Phaedrus

// 230ξ

ὥστε ἄριστά σοι ἐξενάγηται, ὦ φίλε Φαῖδρε

//

held

i grasp, i grasp, i fumble empty air
my fever head green tea cat litter ache
my cannot place the growing failure make
my pillow eats the grass until i wake

//

pause for illness

Socrates: (cont.) that it has grown (phuein) in gently to the steep slope, sufficient to hold, for one who has laid down their head, altogether beautifully

// 230ξ

ὅτι ἐν ἠρέμα προσάντει ἱκανὴ πέφυκε κατακλινέντι τὴν κεφαλὴν παγκάλως ἔχειν

//

of all
the most subtle
that of the grass
that in gently
to the steep
sufficient has grown
for one who laid down their head
altogether beautifully
to hold

//

photo of maidenhair fern, bright green fronds against a shadowy background

maidenhair //

Socrates: (cont.) and most subtle (kompsos) of all is the grass

// 230ξ

πάντων δὲ κομψότατον τὸ τῆς πόας

//

sound

returning traces undergrounding borne
as open airing round, roots longing light
commemorating leaves inhuman voice
midsummers dream, a choir, the covered face

//

Socrates: (cont.) summery and clear, it responds to the chorus of cicadas

// 230ξ

θερινόν τε καὶ λιγυρὸν ὑπηχεῖ τῷ τῶν τεττίγων χορῷ

//

on pleasure: infrastructure & invective

by pan, by puck or by Tokyo toilet, by Pan’s
eye polyamorous, polyvoracious maw
what briarpatch you calliper, sister sufficiency
or savage desire, oh my, this bidet enak

//

but i say more, if words be granted girls
or fish freeze-dried and rendered fatty string
O let me be your hollow chocolate, gold tinfoil
your lie swum-in for truth, your magic trick

O let me be soggy sashimi, porn under plastic
and when did pleasure stop witnessing the true
when angled by the tower’s unfunny retinue
ripe plums made massacre, her metaphor for you

and what does every girl hold in her heart
or breathing torn from her before she’s two
her body, pleasure, joy — inalienable
if pearl, self-mediation from the start

since when is iron more your shape than living flesh
and how long since eternal became momentary, dense
in you, who shimmers through your translucent skin
and whose name do you call when taken by the wind

and does your lover slice and plate your fruit
as offering, for light, cat, goddess spread out in bed
the ocean take what verb you use, cliché or clamshell hid
but give Aphrodite her fucking due

//